Friday, October 27, 2006
Well here is the piece with the final character color and shading on it. Overall, it may not be "super" but I guess it "ain't too shabby" either.
Guess it is missing the ol' lensflare, but I decided to resist the cheesy temptation of adding it in, but if there are any suggestions of maybe what else can be added, or tweeked to punch it up then feel free to lemme know.
Friday, October 06, 2006
I'm by no means a whiz at Photoshop, and I am still really unfamiliar with all the cool tricks and doo-hikkies that are involved with the program, so I knew the most challenging part would be painting in the sunset clouds for the background.
For this pic, I didn't ink my drawing, instead I went over my blue pencils with a regular Number 2 pencil ( adding a bit of line weight ) and then I photocopied the sketch. I use this because it still keeps the drawing looking "alive" and rough, but it does clean it up as well.
As for the coloring, in the picture above, in the smaller illo, that was a photo of a sunset that a buddy of mine had taken up in Alaska..I brought it in, bumped up the contrast and brightness, and I used that as my center, and my color template to build around.
As I said before, I ain't too good in the Photoshop, but luckily I am surrounded my talented co-workers who are always doing amazing things in photoshop. One of them is fellow blogger OK, who I asked " Dude how do you paint nice, fluffy clouds?" He showed me the "Wet Brush" pulldown in Photoshop and he said just to set my opacity low and to keep building up the color.
To be serious I had never even known about the wet brushed, but they definitely achieved the effect I wanted...So I kept building up my colors, and eventually wound up with the finished sunset sky that tyou see in the larger frame above.
next step I'll post is the character coloring and shading.
Wednesday, October 04, 2006
I've been seeing some cool posts showing all the different stages of a finished illustration, from the sketching to the finished color. I figured I'd jump on the wagon and give one a go with the latest full color drawing I'm working on.
The above is the latest Superman sketch I'm doing, and I am shooting for Supes hovering in a sunset sky, in a pose that's heroic/religious. I was partially inspired after watching "Superman returns" in 3D IMAX, which, by the way, kicked ass.
I'll post my rough color stage tomorrow.
Tuesday, October 03, 2006
Recently I read an article on Cartoon Brew called "Miyazki and Son" which was written by Mr. Amidi about the strained relationship between Japanese Animation icon Hayao Miyazaki and his son ( also an animator ) Goro. Here is the piece.
If anybody is in need of some tough love from Dr. Phil, it's probably Hayao Miyazaki and his eldest son Goro. This Reuters article about GEDO SENKI (TALES OF EARTHSEA), the first film by Goro Miyazaki, is quite revealing, sad and funny all at the same time. Among the details revealed in the piece:
Goro Miyazaki says, "For Hayao Miyazaki, now that I've made one movie, as far as he's concerned I've become a sort of rival."
The opening scene of Goro Miyazaki's film has a prince stabbing his father to death.
The elder Miyazaki didn't directly tell his son his thoughts about the film, but relayed them through a Studio Ghibli producer.
Goro Miyazaki wrote a blog entry about his father titled, "Zero Points as a Father, Top Points as a Director," and claims that "From the time I became aware of things up to the present, we have almost never talked."
Pretty sad, but what I found especially sad was Mr Amidi's summarizing paragraph
I honestly couldn't understand the opinion of how he thought that Miyazaki's neglect of his family was refreshing, and that by suggesting that if more American animators, and film makers sacrificed their familial happiness, it would produce better animated films.
I must say though, in one sense it's refreshing to see somebody like Hayao Miyazaki who cares so much about his art that he's willing to put it above his family's happiness. Great works of animation like SPIRITED AWAY and PRINCESS MONONOKE certainly aren't made without sacrifice. Perhaps animation would be better in the States if more people were willing to make those type of sacrifices for their films ( READ UPDATE BELOW )
Chuck Jones loved his children, as did Walt Disney...They may have had to come home for dinner late a few nights and possibly miss a ball game or two, but they didn't neglect their children. In fact unlike Miyazaki, their children recognized them both as great artists, AND great fathers.
If an individual cares for their art more than their children, why have children in the first place? Was it through sheer vanity? Or was it a mistake?
Again he's entitled to his opinion, but it's my opinion that when you die and your legacy is a broken child and a volume of regarded art, then your life has been a failure.
I believe Mr. Miyazaki should look at a small piece of cinema known as "Field Of Dreams" in which Ray Kinsella played by Kevin Costner builds a beautiful baseball diamond in his cornfield which allows all of his by-gone baseball heroes to appear and play in front of his eyes...All of which are a setup and pale in comparison to playing a game of catch with his deceased father, and finally put to rest all the pain he has suffered due to their strained relationship.
Then again, the people who made "Field Of Dreams" may have bitter and resentful kids that they neglected..Ah well.
UPDATE: Mr. Amidi was cool enough to stop by and leave a comment below to give me a heads up that he himself had updated his blog about the article above, and to let me know that he was tongue in cheek in the article.
So even though I would love emoticons to disappear, those little bastards always find examples of showing me how much I need them....:) or is it ;) or :p